Sarah Sze is a contemporary artist who lives and works in New York City. Recommended by my tutor, like Sarah I like to work in spaces and work and build around my college. I finally have learnt to leave my safety zone my studio space and move out of my studio, looking at Sarah’s methods has made me become more courageous in my model building and to become more creative and inventive in my assemblage when it comes to space and use of materials. Sze uses ordinary objects to create strikingly original sculptures and site-specific installations. Her intricate works, each of which she constructs by hand, consist of unexpected and carefully arranged combinations of materials. Sze transforms these everyday objects into gravity-defying works in horizontal and tower-like formations that zigzag into the heights of gallery spaces.
The two above images show how Sze cleverly uses structure even aids to ease the weight of the complex sculpture
I am currently looking at Sarah Sze now as I am suspending hangers in the air all by 4 pieces of fishing line, I want to lose the fishing cut in the forthcoming months and challenge myself with other methods and reinforce my structures I currently using tie clips and twine but i want to be more inventive and am thinking of using skewers and wire. I hope using these materials to reinforce my sculptures will make my work more sturdy and stronger as a whole, so I am able to building on a larger scale and not to worry about the weight of the hangers failing under poor weak materials
A piece I am currently working on in my studio thanks to the high ceiling and lots of drain pipes and beams I am managing to work the around room and create a sense of movement
Looking at Sarah Sze has made me learn to move out of my studio space and use the college grounds as my working space!
Images sourced from http://www.sarahsze.com/index.html
After several rumors and scrapped pitches even Sex and the city actress Sarah Jessica Parker in the works of creating a project catwalk version for the contemperory art world *watch this space* The BBC have finally secured the idea of creating a “manufactured artist” in School Of Saatchi. 6 art students are in the running prize of creating a piece in the prestigious Saatchi art gallery
Much in the same format as Popstars or American Idol or Xfactor it has an auditions round, judges/mentors including artist Tracy Emin
Each week the trainee artist superstars are given tasks to create art and be judged this includes tackling “public art” and to creating contemperory art work in The Sudeley Castle .
Work by two of the twelve remaining artists, Suki Chan and Samuel Zealey, is displayed on the beach in Hastings.
Contestant Samuel Zealey displays his contemporary artwork in Sudeley Castle.
Over all I love the idea much to the disgust of my fellow students in my studio the idea of a “manufactured artist” I will plan to watch it each week and see how the show progresses as its seems like an interesting concept to create a fully pledged artist in a matter of 12 weeks or so.
But really at the end of the day it’s still bad reality television ?? is it not ?
All images are sourced from http://www.bbc.co.uk/programmes/b00p71qk
As part of my visit to Venice Biennale 2009 German artist Tobias Rehberger. Tobias Rehberger designed the cafeteria at the Biennale pavilion (formerly known as Italian Pavilion). Going into the cafeteria to buy much needed water after looking at several exhibits I was blown away at how excited I had become. I felt like I was in Big Brother reality show. Rehberger had transformed this room into a cool funky place to chill and explore the possibilities of taking interior design to a whole new contemporary creative level. The colour’s were amazing if sometime’s head hurting as it was a mix of clashing patterns and furniture that was daring and unique tailored for the building. The installation reminded me a lot of the work of Jim Lambie again with the use of vinyl and colour it was a daring piece of work. Below is a video from utube of his installations.
The Golden Lion for best artist in curator Daniel Birnbaums Making Worlds art exhibition at the 53rd Venice went to German Tobias Rehberger.
Image of the overall cafeteria
Me all happy and like a kid at christmas sitting down for a photo opportunatity
A special thanks to my friend Claire Hurley for taking these pics as I lost my images of this day in Venice
Lambie specialises in colourful sculptural installations made from everyday modern materials including pop culture objects, such as posters, album covers and household accessories. The other trademark theme in his artistic practice is using brightly coloured vinyl tape arranged into patterns around the floor of the gallery space, tracing the shape of the room to reveal the idiosyncrasies of its architecture.
I like the movement in Lambie’s installations and the freedom in his work, he inhabits spaces and creates these great environment, I would like to incorporate the use if colour and wall floor relationship more in my work. Looking at Jim Lambie’s use of objects such as chairs andhousehold acessories all mixed create this unique works
In my own studio work im trying to incorporate the floor and wall relationship into my practice and using sites around my college has made me more visually aware. The below images are some of my slowly working progress.
Images sourced from http://www.antonkerngallery.com/
As part of my studio practice I work with found objects and multiples .This year my studio practice has brought to look further into the retail world and commodity. Using Hangers as my starting point to my studio practice, this year I decided to collect approx. 600+ hangers and counting, from all high street shops collecting masses upon masses of hangers. Each week I have collected transparent hangers, wooden hangers, black plastic hangers, all serving the purpose for me to play with !
Image 1: First week and started in my studio Space seeing the potential to expand and explore possibilities of going outdoors
I decided to make the hangers a very 2D object become 3D and come alive, I started connecting the hangers and through trail and error i managed to create 3 dimensional clusters of hangers. Seeing the potential I decided to branch out even more and expand my obsession and create monumental Sculptures
Image 2: I decided to go up in scale and not solely rely on structures alone.
In week three I decided to be brave and go out into the colleges foyer, an old listed building, I built in a large open space. I built around the stairs, the beams of the college and the supporting pillars. It was a challenge and was harder than the last time as I was building in a public walk way so lots of distractions was to be had from tutors to security telling me all about health & safety
and ENDLESS hangers jokes. I managed to hang on… and create a whole room of hanger structures. I was happy as in different parts of the sculpture I worked into it making it more complex,rigid and using tiebacks and fishing gut i created a claustrophobic sculpture.
Image 3: Being Challenged by the building I managed to bear all the hangers jokes and health & safety rules to build literally in space!
I learnt to confront the issue of space and working around with what I faced with and also the issues of working in public areas and making compromises to abide certain rules. Over all I enjoyed the building in space and broke down a few creative barriers I once had.
All images are my own documentation for my studio practice
Matthew Monahan works deal the subject of death and funereally in nature made from wax and paper mache, the sculptures are encased in glass cases. Wax and paper mache, a material that is quiet crucial in the history of sculpture and more importantly as a material, has a suspicious relationship to death. Death masks in the past were made of was and the wax was laid on the face of the corpse’s to preserve their expressions forever. Therefore the very basis idea of the death mask was a fight against time. So wax, paper mache and drawings and the use of plexiglass sheets are the objects that Matthew Monahan uses to create his sculptures. Often self portraits of the artist, but they are self portraits consumed by a strange fractures in which figures appear limbless, knocked over or crushed and are seen as precious.
To me the works are formal and show a lot of emotion, I am drawn to the idea of encasing the sculptures and preserving something in a unique way. A way that Matthew Monahan uses successfully and I had used this idea in last years end of year work, I made glass boxes to contain perfume bottles and other materialistic subject matters. Keeping them out of reach and sacred. The images Below are from my own work from last year when I used glass.
The above images are sourced from http://www.saatchi-gallery.co.uk/artists/matthew_monahan.htm
Over this college term my studio practice has much been in the vein of multiples and working in spaces with use of consumer culture matter. Having been advised by my tutor in 2nd year to look up a book called ‘UNMONUMENTAL the object in the 21st century’ I came across artist Rachel Harrison - Harrison’s art draws upon modernist sculpture’s obsession with the form and Pop Art’s consumer goods panche.Yet dispite her obvious interest in art history,Harrison is equally attuned to the present, and her artworks often pointed, funny commentary on the absurdities of contemporary life.
While in Venice I was lucky to stumble upon her work by complete accident, and the following image worked well in my opinion as it was a lobster and box placed on a plint. I like her material matter and the placement of the lobster so simple.
Image 2 close up of the lobster (all images taken by me)
Although a recent emerging artist I found a website of her most recent collection of work from the Greene Naftali Gallery based in New York
Today while busy making my hanger creations in college, a tutor informed me of a festival she is currently involved in NEU/NOW, the premise was interesting to me as the whole idea of the festival was based upon how internet proposes different opportunities for new artists to submit work online through email. My tutor who is on the Visual Arts jury of the festival. She will visit Lithuania and will get to see new, contemporary art works from all over europe. These have been designed via email with the artists and it shows how the internet can play a role in the creation of offline art. Traditional art, mainly painting, is now being left behind by technology as it is very hard for painters to get participation, via the internet, with their art. For example Movies, media, documentation of sculptures can all be done online. A painting just hangs on the wall.
Check out the NEW/NOW website to see who is taking part, and more info is below! (more…)
My 3D art tutor, Artist James Hayes, who taught me in 2nd year and 3rd year of college, is having an unveiling of his new sculpture. It was commissioned by Cork City Council and will be unveiled by the Lord Mayor of Cork Cllr. Dara Murphy on Friday 27th Of November 2009 @ 6pm. With me being a good student and James being my former tutor, and he not having a Blog or Twitter account, may I add
, I decided to plug the event of him. I wish him luck, as I can’t attend as I am a poor student and have to working.
See poster below.